Set the Thames on Fire follows struggling piano player Art (Michael Winder) and compulsive liar Sal (Max Bennett) as they embark on a string of ludicrous escapades through a dystopian London, ruled over by a grotesque and tyrannical Impresario. 　　On their adventures they encounter a deranged Magician, played by performance artist David Hoyle, an anarchist witch (Phillips) and the Impresario’s twisted right-hand man (Fielding) leading to a final showdown with the despotic ruler himself.

Set the Thames on Fire follows struggling piano player Art (Michael Winder) and compulsive liar Sal (Max Bennett) as they embark on a string of ludicrous escapades through a dystopian London, ruled over by a grotesque and tyrannical Impresario. 　　On their adventures they encounter a deranged Magician, played by performance artist David Hoyle, an anarchist witch (Phillips) and the Impresario’s twisted right-hand man (Fielding) leading to a final showdown with the despotic ruler himself.

An unidentifiable virus breaks out at a college, forcing professor Anya Davis to conduct her seminar online. After a tragedy happens in the class, a battle of ethics begins between Anya and the institution.

After serving seven years in prison for manslaughter, a man returns to his hometown to find that the eyewitness whose testimony convicted him has second thoughts, and the town drunk has confessed to the crime.

Inspired by true and harrowing events, an ordinary man finds his world suddenly torn apart as devastating wildfires rip through the surrounding countryside. With precious moments ticking by, he must flee with his son and pregnant wife if they have any hope of surviving the rapid forces of mother nature.

Joe is an arson investigator for the fire department. He has a loving and devoted wife and has two just as loving and devoted sons. Things couldn't be better for him until he learns that the department wants to retire him. He does so reluctantly. He then falls into a deep depression because, while most people look forward to retirement, he doesn't. So, his wife and children do their best to lift his spirits but all he does is push them away.

Concrete objects and spaces of remembrance are poised against the ephemeral, the unarchivable. We see a sense memory of an archive in the act of destroying itself. The sun magically settles between the crevice of two trees; an obsessive lens roams across broken and partially burned fragments; fire flickers through glass, water, and finally consumes the frame. (Anna Hogg)

A barber gives in to temptation and steals some money, leading to blackmail and murder.

Silent footage shot on the set of CASQUE D’OR provides a glimpse of film director Jacques Becker at work.

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